Q: Did writing this “autobiographical fourth novel” (as you call it) feel risky in any way?Colson Whitehead: Let’s get the boilerplate disclaimer out of the way—I overlap with Benji, and use my summer of 1985 as a touchstone for his experience, but you can’t make a one-to-one correlation between my life and his, blah blah, it’s fictional, blah blah and etc.
That said, when I started the book I knew I had to go “all-in,” as they say on those TV poker shows. I was going to dive into all that grisly and gruesome adolescent muck and try not to gag—if I didn’t, the reader wouldn’t see their own horrible squirming existence in Benji’s existence. Once I was up to my chin, it was easy to be truthful about other things—things I had experienced myself and could transform into something that would serve the story, and things I have witnessed in other people’s lives. I had a strict No-Flinch policy from the get-go.
I haven't read Whitehead's new book yet, but I do remember reading and enjoying an excerpt from it sometime in the last year, probably in The New Yorker, knowing my reading habits.
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